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The Nature of Evil in Young Goodman Brown
In Young Goodman Brown, Nathaniel Hawthorne tells the tale of a man and his
discovery of evil. Hawthorne’s primary concern is with evil and how it affects
Young Goodman Brown. Through the use of tone and setting, Hawthorne portrays
the nature of evil and the psychological effects it can have on man. He shows
how discovering the existence of evil brings Brown to view the world in a
cynical way. Brown learns the nature of evil and, therefore, feels surrounded by
its presence constantly.
Hawthorne creates a serious and somber tone throughout much of the story. From
the start, the audience gets a sense that Brown will go through relentless
agony from the devilish stranger. His diction in the opening paragraphs is a
good indicator of this. He uses words such as “melancholy”, “evil”, “dreary”,
and “grave” to evoke a certain mood in the reader. There is little relief from
this seriousness that would suggest that Hawthorne’s attitude about the story
be hopeful. Brown’s attitude and actions portray a negative view of Salem and
its people. He ponders the hypocrisy of the town as well as that of the
Puritans. He examines the possibility that evil and corruption exist in a town
that is supposedly characterized by piety and devout faith.
The story is set in seventeenth-century Salem, a time and place where sin and
evil were greatly analyzed and feared. The townspeople, in their Puritan
beliefs, were obsessed with the nature of sin and with finding ways to be rid
of it altogether through purification of the soul. At times, people were
thought to be possessed by the devil and to practice witchcraft. As punishment
for these crimes, some were subjected to torturous acts or even horrible
deaths. Thus, Hawthorne’s choice of setting is instrumental in the development
of theme.
He uses contrast as a means to portray the village as good and the forest as
bad. This adds significance to the fact that Brown begins his journey in the
town and proceeds then to the forest. The use of imagery captures the
appearance of the forest as well as lending a sense of foreboding towards the
impending evil. Hawthorne says of Brown, “He had taken a dreary road, darkened
by the gloomiest trees of the forest…It was all as lonely as it could be”
(2208). Immediately following this description, Brown speculates that he may
not be alone in the forest. He fears that there may be a “devilish indian” or
“the devil himself” in his presence (2208). He is disturbed by the fact that he
“knows not who may be concealed by the innumerable trunks and the thick boughs
overhead; so that with lonely footsteps he may yet be passing through an unseen
multitude” (2208). This suggests to the reader that he is no longer feeling the
comfort and safety he felt at home and is suspicious of what lies ahead. Brown
is fearful of his mission even before leaving. However, in leaving the village,
he leaves religious order, the familiarity of the scenery, and his beloved
Faith. Upon entering the forest, he becomes victim to the possibility of the
discovery and consequences of evil. In fact, it is in the forest where evil
manifests itself to him in the form of an older man of the same dress and class
as Brown. It is this experience which ultimately affects his outlook of the
world.
Taken at a literal level, the story is about a man who goes on a journey to the
forest and encounters various strange situations. However, the narrator is
working on two levels. There are objects and characters in the story which are
representative of something else. For instance, Brown’s wife, Faith, represents
religious faith. She also exemplifies what it means to be a good woman and
wife. He worries that Faith’s dreams are warnings although she is his only
justification for making the evil journey. She is his hope for an ‘excellent
future’. Brown describes her as, “blessed angel on earth” and promises that
after this one night, he will, “cling to her skirts and follow her to heaven”
(2207). When Brown, in utter despair, cries out, “My Faith is gone,” (2212) he
refers not only to his wife but also his faith in God. He also alludes to his
wife Faith as his spiritual faith when he tells the stranger, “Faith kept me
back awhile” (2208). Literally, he means that he arrived late as a result of
the conversation with his wife. However, because we know the implications of
Hawthorne’s tone, we realize he was kept back by something more. We can assume
that it is because deep down, possibly through a surfacing of his unconscious,
he knows that he is not commencing a harmless journey.
Brown is an everyman. Thus, his journey is one many people have traveled in the
past and will travel in the future. Hawthorne is suggesting that everyone at
some point experiences the struggle between good and evil within themselves. As
members of today’s society, we are immersed in the evil ways of man at an early
age. All we must do is watch the evening news one night to feel bewildered at
the incessant commitment of evil deeds. In a sense, Brown’s experience in the
forest is our reality, what we are faced with everyday. His naïve conviction
that evil can be controlled can only flourish in an idealistic environment.
Because he has seen that environment (or been deceived into believing he has),
the discovery of evil proves even more devastating. Nonetheless, Hawthorne
shows the complexity of the human experience with what is good and what is
corrupt.
Salem symbolizes order and the rules that its inhabitants are guided by. It is
an extremely religious town where wrongdoing is not tolerated. On the other
hand, the forest, where Brown ventures, is seen as evil and full of sinners. As
he travels farther into the woods, he becomes aware of the abundance of sinners
within the community. Like the forest, the ominous stranger he encounters as
well as his staff, represent evil. The description of the staff is much like
that which we associate with the devil. The staff, “bore the likeness of a
great black snake, so curiously wrought that it might almost be seen to twist
and wriggle itself like a living serpent” (2208). On more than one occasion,
the stranger offers it to Brown for support and as encouragement to pursue the
walk. His acquaintance says “You will think better of this…and when you feel
like moving again, here is my staff to help you along” (2211). Brown knows the
stranger is the devil and the staff will only lead him to evil. The fact that
he has this knowledge suggests that he is struggling with the temptation of
evil. These symbols interacting together along with the plot set the stage for
Brown to confront this evil.
Brown begins his journey almost enthusiastically and with great faith. This
faith is not only in God but also in his wife, the town, and his entire
lifestyle. He truly believes in the Puritan way and its ability to guide him
along the righteous path. The conversation between Brown and Faith as he is
leaving makes one think that he actually believes that he will go on the
journey and return to find things just as they were before. He is correct in
his assumption that the town and the people in it do not change; however, he
fails to consider the idea that his perception of them may change, which it
certainly does. Upon entering the forest, it does not take long for the
stranger to lure Brown in deeper causing him to abandon his former convictions.
He experiences a state of confusion guiding his mind in two different
directions. In one sense, he feels the dread of his continuing journey. At this
time, he refuses to go any farther. He says to the stranger, “my mind is made
up. Not another step will I budge on this errand” (2211). However, a more
powerful force than his own willpower compels him to move onward. Brown begins
to speculate about the idea that many other honorable people have walked the
same path when the figure tells him that he knew his father and grandfather.
Brown responds to the accusations that his ancestors were evil without much
assertion indicating that he does have doubts. What makes it even more
astonishing for Brown is that these sinners are people he recognizes to be pious
and upstanding figures in the community. Upon discovering the Deacon and
minister’s presence, he feels “overburdened with the heavy sickness of his
heart” ( 2211). It is then when he has doubts of heaven’s existence at all.
Yet, he still vows to “stand firm against the devil” (2212). He is still
somewhat in disbelief at seeing Goody Cloyse, the woman who taught him
catechism. However, after hearing Faith’s voice amidst the other sinners, he
ultimately deserts his belief in the existence of good altogether. From this
point on, he feels a sickening yet compelling force urging him on to the evil
gathering with those he describes as “grave and dark-clad company” (2213).
Whether his experience in the forest is real or a dream, the effect it has on
him is detrimental to his spiritual development. The figure welcomes the
community saying, “Depending upon one another’s hearts, ye still hoped that
virtue were not all a dream. Now are ye undeceived. Evil is the nature of
mankind. Evil must be your only happiness. Welcome again, my children, to the
communion of your race” (2215). These words penetrate Brown’s soul so as not to
be forgotten. By the end of the story, the narrator describes Brown as “a sad,
a darkly meditative, a distrustful, if not a desperate man…” (2215). He can no
longer look upon his community with the same hopefulness he once had. He
becomes cynical of his surroundings and lives his life accordingly. His
discovery of evil results in his loss of grips with humanity. He comes to
believe there is evil in all people and is unable to accept it. He grows old
with contempt for his former idols, and never again is he able to conceive of
the idea that life is pure, grand, and good. At his funeral, his family has
nothing encouraging to put on his grave, and neighbors do not even bother to
attend. Thus, he is depicted, even in death, as an individual unable to find
happiness in his own family and friends.
As stated earlier, Hawthorne’s goal is to show the discovery of evil can lead
one to utter desperation and cynicism. Brown is the medium through which he is
able to achieve this goal. He is successful in teaching his audience a moral
lesson; which is that in denying the idea that good exists and is capable of
overpowering evil, Brown has committed the worst sin of all. Bereft of
spiritual faith, “his dying hour was gloom” (2216).